Premju Emanuele Luigi Galizia 2026

URNA, Malta

Commissioner: Malta Arts Council

Lead Perit/i: Anthony Bonnici

Structural Engineer: Spiridione Buhagiar

Curator: Andrew Borg Wirth

Architect: Anthony Bonnici, Thomas Mifsud, Tanil Raif

Art Director: Matthew Attard Navarro

Photography Director: Anne Immele

Film Director: Stephanie Sant


URNA proposes a new funerary landscape for Malta, an island where land is finite, burial space is increasingly scarce and the legalisation of cremation has created the need for new forms of collective remembrance. It responds not only to a practical question of how we accommodate the dead, but to a cultural one: how death might once again be given a meaningful place within our daily lives. Rather than reproducing inherited monuments or importing rituals that belong elsewhere, URNA searches for a form of commemoration that can speak to people today while remaining open to those who come after us.

The project is conceived as a compact repository in which cremated remains are placed gradually over time. Each urn becomes part of an accumulating body, laid one upon another like geological strata. The individual is not erased, but absorbed into a greater collective order. This layering echoes the formation of the Maltese landscape itself, where stone records successive periods of settlement, extraction, construction and loss. As the structure fills, it becomes a new kind of fossil: a physical record of generations returned to the substance from which architecture and landscape on the island have always been made.

URNA ultimately proposes a return to the scarred landscape from which its material was extracted. The quarry, ordinarily understood as an absence, becomes a place of gathering, ritual and continuity. Matter removed from the earth is given form, inhabited by the remains of the dead and returned to its place of origin. Through this cycle, the project establishes a direct relationship between body, stone and territory. It imagines death not as withdrawal from the world, but as a final participation in it, allowing the individual to become part of a shared landscape that continues to deepen with time.

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